Collection of the feature-length television movies set during the Napoleonic Wars, starring Sean Bean as the maverick British rifleman Richard Sharpe.

Titles included:

• Sharpe's Rifles
• Sharpe's Eagle
• Sharpe's Company
• Sharpe's Enemy
• Sharpe's Honour
• Sharpe's Gold
• Sharpe's Battle
• Sharpe's Sword
• Sharpe's Regiment
• Sharpe's Siege
• Sharpe's Mission
• Sharpe's Revenge
• Sharpe's Justice
• Sharpe's Waterloo
• Sharpe The Legend
• Sharpe's Shooting

Documentary that sets out to tell the story behind the making of the James Bond films. When American producers Harry Saltzman and Albert Broccoli acquired the rights to adapt Ian Fleming's 'James Bond' novels for the big screen they couldn't have dreamt of the success they would find. However, as the franchise became a licence to print money conflict inevitably emerged, causing Saltzman and Broccoli to fall out with their lead actor, Sean Connery, then each other. Despite the increasingly fraught drama behind the scenes, the on-screen drama of the Bond films has continued to draw audiences to the cinema 50 years after the release of the first film, 'Dr No' (1962). Among the Bond luminaries to contribute to the documentary are George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig.

Daniel Craig returns as 007 in the 24th instalment of the James Bond franchise. After the devastating attack on MI6, a cryptic message leads Bond on a rogue mission to Rome where he meets Lucia Sciarra (Monica Bellucci), the widow of a notorious crimelord. On ilfiltrating a top secret meeting, Bond discovers the existance of the global crime organisation SPECTRE and sets about trying to expose them and ultimately bring them down. The cast also includes Ralph Fiennes, Christoph Waltz and Ben Whishaw.

When Bond's latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency.

These events cause her authority and position to be challenged by Mallory, the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond.

007 takes to the shadows - aided only by field agent Eve - following a trail to the mysterious Silva, whose lethal and hidden motives have yet to reveal themselves.

Daniel Craig returns as 007 in the 24th instalment of the James Bond franchise. After the devastating attack on MI6, a cryptic message leads Bond on a rogue mission to Rome where he meets Lucia Sciarra (Monica Bellucci), the widow of a notorious crimelord. On ilfiltrating a top secret meeting, Bond discovers the existance of the global crime organisation SPECTRE and sets about trying to expose them and ultimately bring them down. The cast also includes Ralph Fiennes, Christoph Waltz and Ben Whishaw.

Daniel Craig returns as James Bond 007 in the globe-trotting franchise for which the term action movie was invented. After being betrayed by Vesper in Casino Royale, Bond (Craig) turns his sights on those who controlled her. Interrogating Mr White (Jesper Christensen), Bond discovers that the shadowy organisation responsible for blackmailing Vesper is a lot more powerful and dangerous than he ever imagined. Tracing a link to Hawaii, Bond soon crosses paths with Ukrainian beauty Camille (Olga Kurylenko) who leads him to megalomaniacal businessman Dominic Greene (Mathieu Amalric), head of the organisation known simply as Quantum. Wishing to control one of the world's natural resources, Greene's organisation has a finger in every government agency worldwide, and it falls to Bond to keep one step ahead of his friends, and enemies, to stop Greene holding the world to ransom.

Daniel Craig returns as James Bond 007 in the globe-trotting franchise for which the term action movie was invented. After being betrayed by Vesper in Casino Royale, Bond (Craig) turns his sights on those who controlled her. Interrogating Mr White (Jesper Christensen), Bond discovers that the shadowy organisation responsible for blackmailing Vesper is a lot more powerful and dangerous than he ever imagined. Tracing a link to Hawaii, Bond soon crosses paths with Ukrainian beauty Camille (Olga Kurylenko) who leads him to megalomaniacal businessman Dominic Greene (Mathieu Amalric), head of the organisation known simply as Quantum. Wishing to control one of the world's natural resources, Greene's organisation has a finger in every government agency worldwide, and it falls to Bond to keep one step ahead of his friends, and enemies, to stop Greene holding the world to ransom.

21st film in the 007 Franchise introduces a new 007 and goes back to its roots. Daniel Craig stars as the latest incarnation of James Bond, special agent and international man of mystery and intrigue. The first Bond film in many years to be based on one of the original Ian Fleming books, Casino Royale is a quieter, subtler, more brooding breed of action film, which is not to say there's any less blowings up, dirty tricks, sexy women or chase sequences. Bond is in Montenegro at a highly exclusive casino where Le Chiffre (Mads Mikkelsen) a moneyman for an international terrorist group, is raising funds for their misdeeds through high-stakes gambling. 007 must infiltrate the group and ultimately defeat the rogue player, both on and off the tables.

Daniel Craig narrates this feature-length BBC wildlife documentary celebrating the diversity and tenacity of life on earth. Edited together from some 10,000 hours of footage from the BBC's natural history archives, the film focuses on the cyclical journey taken by all living things, from their own birth to the moment they deliver youngsters of their own and the next generation is born.

As deeply cool and urbane as its unnamed hero, LAYER CAKE follows the precise, articulate XXXX (Daniel Craig) as he maneuvers through what he intends to be his last business deal in modern-day London. His business? Drugs. On the cusp of turning 30, XXXX has amassed a personal fortune, deftly avoiding the violence and ugliness so many others in his trade fall prey to by following a strict personal code defined by discretion and clean detachment from the products he sells. Just as XXXX is poised to cash in and get out, Jimmy Price (Kenneth Cranham), the top layer of this particular underworld cake, hands down two tasks: find Eddie Temple's (Michael Gambon) drug-addicted daughter, and unload a mass of ecstasy stolen in Amsterdam by the sloppy, loud Duke (Jamie Foreman), who is exactly the type of wannabe gangster that XXXX has spent his career avoiding. Further complicating matters is Tammy (Sienna Miller), a sexy young blond who XXXX meets in a club and can't get off his mind.

First-time director Michael Vaughn (producer on SNATCH and LOCK, STOCK, AND TWO SMOKING BARRELS) brings a practiced eye to the film, creating a slick, highly entertaining visual style which perfectly complements the twisting storyline. The London drug world comes to vibrant life in screenwriter J.J. Connolly's adaptation of his first novel, which retains its keen ear for slang and its eye for detail, giving LAYER CAKE a thrilling ring of authenticity. In the role of XXXX, Daniel Craig has a commanding presence, portraying a man who is so good at his job that he may never be permitted to leave it, regardless of how smart he is or how well he's planned. Like the best in the crime-thriller genre, LAYER CAKE is unpredictable, unsettling, and unforgettable.

This book answers the question "How did the 1933 World's Fair Century of Progress Exhibit Buildings get moved from Chicago to Beverly Shores, Indiana in the 1930's?" Amateur historians around the world will love unveiling the mystery surrounding this conundrum by Mr. Daniel Craig Grandfield, landscape architect.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Sci-fi film noir filmed in a unique style in which real actors are transformed through motion-capture animation to create a black and white comic-strip style. Set in a near-future Paris, the film depicts the city as a menacing place dominated by the vast and all-seeing Avalon Corporation, which has insinuated itself into every aspect of modern life through its sales of the ultimate commodities: youth and beauty. When a beautiful young scientist, Ilona (Romola Garai) is kidnapped, police officer Barthélémy Karas (Daniel Craig) is assigned to solve the case. His investigation leads him down a deadly path, and he eventually discovers that events that took place back in 2006 have irrevocably affected the future of humankind with dire consequences.

A wealth of rich emotion, The Observer is a collection of poetry on life, love, and loss. Daniel Craig Toney draws the reader into his heart, courts you, and cries out to you. His moving rhyme will leave you teary-eyed, yet inspired to move forward. The author's powerful observations motivate you to cherish the ones you hold dear.

"How can the immigrant of yesterday be lionized as the very foundation of the nation's character, while the immigrant of today is often demonized as a threat to the nation's safety and stability?" ask volume editor Vanessa B. Beasley in her introduction to this timely book.

As the nation's ceremonial as well as political leader, presidents through their rhetoric help to create the frame for the American public's understanding of immigration. In an overarching essay and ten case studies, Who Belongs in America? Explores select moments in U.S. immigration history, focusing on the presidential discourse that preceded, address, or otherwise corresponded to events.

These chapters, which originated as presentations at the Texas A&M University Conference on Presidential Rhetoric, share a common interest in how, when and under what circumstances U.S. presidents or their administrations have negotiated the tension that lies at the heart of the immigration issue in the United States. The various authors look at the dual views of immigrants as either scapegoats for cultural fears, especially during trying times. U.S. presidents have had to navigate between these two motifs, and they have chosen different ways to do so. Indeed, as these studies show, their words have sometimes been at odds with their deeds and policies.

Since 9/11, few issues have more public significance than how America views immigrants. The contributors to this volume provide context that will help inform the public debate, as well as the scholarship, for years to come.

Vanessa B. Beasley, an associate professor of communication at the University of Georgia, is the author of You, the People: American National Identity in Presidential Rhetoric, also published by Texas A&M University Press. Her Ph.D. is from the University of Texas at Austin.